![]() ![]() Franck began his musical career as a keyboard prodigy. His music combines the best of the two approaches, its Gallic lyricism and harmonic colour shaped through German structural ideas into powerful dramatic forms. Franck was interested in the structural and expressive innovations of Beethoven, Liszt and Wagner. Before César Franck arrived in Paris, French Romantic music had been primarily a tradition of dazzling orchestral colour and seductive harmonies. ![]() for org as S.It took a Belgian composer to convince France of the value of German musical ideas. for org as S.667b/1Ģnd version of S.20/1 arr. Hymne de l'enfant à son réveil (O père qu'adore mon père)Ĥth version of S.19/1, S.19/2, S.19/3 text in French, German and Hungarianġst version of S.20/2 arr. Hymne de l'enfant á son réveil (O père qu'adore mon père)īased on S.171c 1st version of S.19/2, S.19/3, S.19/4 lostĢnd version of S.19/1, S.19/3, S.19/4 text in French and Italianģrd version of S.19/1, S.19/2, S.19/4 text in French and Italian Originally intended for S.688 1st version of S.16/2 themes re-used in S.172a/8 and S.173/4Ģnd version of S.16/1 themes re-used in S.172a/8 and S.173/4Ĭhantons, chantons l'auteur de la lumière for mch ww br as S.14/1a, for org as S.667a (note that Coeli enarrant is Psalm 19 NIV?)Ģnd version of S.14/1 arr. Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)ġst version of S.14/2 arr. Psalm 13 (Herr, wie lange willst du meiner so gar vergessen)Ģnd version of S.13/1 arr. ![]() Includes S.45 as No.6 adapted for org as S.266 No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2 No.7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678 No.5 arr. Ungarische Krönungsmesse (Hungarian Coronation Mass) Missa quattuor vocum ad aequales (Szekszárd Mass)Ģnd version of S.8/1 themes used in S.264Įxtract ('Poco adagio') arr. for pf4h as S.580 for pf as S.500 for org (+ ch) as S.666 for v org as S.767 Ĭantantibus organis (Antiphona in festo Santa Caeciliae) for pf as S.498c, for org as S.665Ģnd version of S.5/1 arr. for pf as S.499, for org as S.760 Prelude arr. for org as S.664ġst version of S.4/2 Alleluja arr. for pf as S.498b, for pf4h as S.579 No.8 arr. for pf as S.498a, S.693a for pf4h as S.578 introduction arr. Opera in 1 act libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian first perf. 2.5.2 Partitions de Piano, Transcriptions, etc.2.5.1 Paraphrases, Operatic Transcriptions, etc.See also: Liszt's versions of works by others Notes - Liszt's works often exist in multiple versions and he arranged many works by other composers, which are cross-referenced respectively mentioned here.Genre - works are grouped in the following broad categories: Stage, Vocal, Orchestral, Chamber and Keyboard.Date - the year(s) of composition or arrangement, where known.Forces - the instrumentation used (see IMSLP:Abbreviations for Instruments).Title - normally following the New Liszt Edition and Library of Congress, as well as other authoritative sources.Eckhardt referenced in Grove Music Online (2010) See the Talk page for more on the arrangement of Searle's catalogue An asterisk (*) signifies that a number is no longer in use. numbering as given in Humphrey Searle ( The Music of Liszt, 1954, 2/1966), with significant additions and revisions by Sharon Winklhofer (ed. The table below gives the following information for works by Franz Liszt (where applicable): Partitions de Piano, Transcriptions, etc.Paraphrases, Operatic Transcriptions, etc.Arrangements, Transcriptions, Fantasies, etc.Please consult the manual of style for creating composer work lists. For an automatically generated alphabetical list of all available pieces, please seeĪ list of works in the composer category that are not included here can be found on this page. This list is manually maintained, therefore some of the available pieces may not yet be linked from this page.
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